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Harbor Glass Atelier
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· glass quay

Le jardin de l’artiste vu de la terrasse vers l’est, vers 1924 - Max Liebermann Innsbruck presents itself as an open

Editorial offset stage Wave · brackets
Frosted quay plates · teal glass · coral beacon

Harbor notes

Glass shelves · bracketed field sheets

Description

Le jardin de l’artiste vu de la terrasse vers l’est, vers 1924 Max Liebermann Innsbruck presents itself as an open presents itself as an open window into the artistic scene of the early 20th century The warm tones of the flesh contrast with the rich shadows of the background

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